The 52 Project, Week 26: Visiting My Sister

Westpoint Academy overlooking the river. This week's post will be short and sweet, pretty much like my mini-trip to Poughkeepsie, NY to visit my sister. The few days I spent with her I managed to snag some cool images both in medium and large format. But while scanning remains on hold, the Hasselblad negatives will have to do for now.

The only day I managed to shoot anything was the afternoon my sister used her military access, marine wife (^_^), to get us a fun little tour/hike around Westpoint. It was a very classy place with a very "Ivy League" feel around some of its older buildings. And considering my only previous knowledge of Westpoint came from watching Patrick Swayze in "North and South", I really had no idea what to expect.

I now present to you some pretty basic scenics, most of which were taken while waiting for the light to shape up a little bit more for the 8x10.

A pretty cool inscription, click for larger size.

There was a suprising amount of traffic on the river!

My sister (right) running 8x10 guard duty. ^__^

Just something about gnarly trees over the water.

Something Good: Well, Portra VC films are supposed to be "vivid", and even Portra that's 10+ years old managed to come out as saturated as ever.

Something Bad: I'm by no means wow'ed by any of these shots. I'm not sure if it's the very odd grain structure apparent in 160 speed film, or just the lack of a favorable subject matter.

Something Learned: Color negative film grows unpredictable each year it goes beyond its expiration date. This roll was a shining example, filled with unexpected grain and "wonky" shadows.

Next Week: Taking a look at the grainier side of life, Ilford Delta 3200 style. ^__^

The 52 Project, Week 25: PDN PPE in NYC with the FPP!

Duane explaining the Hasselblad NPC Polaroid back.

The acronyms, make them stop! >__<

Seriously now, this first week of my little trip out east was pretty freaking awesome. There were a lot of photos taken, and whole hell of a lot to scan; most of which are still being scanned, by the way. So all the following weeks you’re about to see will be completely in order of awesome and in no sense of chronological order. Enjoy.

FPP Hosts Mike Raso & Duane Polcou

First up is the main reason I made this trip, to go meet the makers of the Film Photography Podcast at Photo Distric News’ Photo Plus Expo 2010 in New York City. (see why I used the acronyms? :P) Before, during, and after my interview with them, I managed to snag some shots of Mike Raso (left) and Duane Polcou (right) at the registration/interview booth outside of the madness of the PPE showroom. Overall, the interview went very well, Mike and Duane were awesome guys who were as, if not more, enthusiastic about film than me. While I was snagging pictures of them, Mike was snagging pictures of me and the whole kit, with a Kodak Pocket Instamatic 110 camera and some Impossible PX 600 black and white.

With FPP’s more recent interest in large format, I’ll have to pay them a visit and let them play around with the 8x10. Good times for sure. ^__^

Impossible Project Space, NYCLater that same afternoon, I made the huge mistake of walking almost four miles from the Jacob Javits Expo Center all the way to the Impossible Project NYC Space. Thankfully, the long haul was worth it! All the way up on the fourth floor of this building, rested one of the last frontiers for instant film in the world! If you haven’t heard of The Impossible Project or tried out their awesome films, be sure to check them out.

Something Good: The scans are pretty clean, with a long tonal scale and chock-full of midtones. TMAX 400 in XTOL 1:1 never seems to go wrong.

Btw, the Pat Sansone show was also awesome!Something Bad: The light in the Javits Center was a tad low for ISO 400, but opening up the aperture and lowering my shutter speed to dangerous handheld levels, 1/15 and 1/30th were necessary for the final image.

Something Learned: The best way to meet new people in photography is to get out there and shoot. And when you’re sick of shooting, go on the internet and put yourself out there some more. Chances are you’ll run into cool guys like the FPP; heck, you might even score some new gear or film!

Next Week: More medium format scans from the trip, still trying to nail down these 8x10’s. >__<

The 52 Project, Week 24: Ned

Today’s image means a lot of things to me, and I hope it shows. ^__^

Despite the creative mess down there, somehow knows where everything is... 0__0

Meet John Edward Lenhart, affectionately known by everyone else as Ned, my grandfather. Born to a large family in the middle of The Great Depression, Ned’s lived through a lot of ups and downs. Recent years especially haven’t been kind to him. He’s had to tackle a stroke, learning to walk again, losing most of his left lung to cancer, and continuing a silent battle with skin cancer. But as you can see in front of you, not much gets in the way of him doing the things he loves, namely woodworking and baseball.

Since I’ve already captured his baseball loving side HERE, I thought I’d address his other love, in the heart of his basement workshop. Space was tight and light was terribly dim, but I did the best with what I was given, here are the details.

Early one Saturday afternoon at my grandparents’ house, I started to feel the urge to take a picture with the 8x10. And this day, it would be a special one, the day I would finally cave and take a proper portrait. So, as soon as my grandparents were down and out for their afternoon naps, I sprang into action. Grabbing the mass of equipment from the car, I rushed it down to Ned’s basement workshop to set up the entire shot, “Just add Ned”.

Framing up the shot was a little tight with a 50mm lens equivalent in space about the width and length of a college dorm, but I made the best of what time and space I had. Knowing my limitations, the shot was setup expecting about a half length, seated portrait. While focusing and metering the entire scene, I noted a difference in highlight to shadow values of approximately 18 stops! For you non-Zone System users out there, a normal scene has 6-7 stops difference. To say this was a high contrast scene was a gross understatement. Worse news, even wide open (a whopping f/9 on my lens), the Zone II/III shadows in my image were reading 30 seconds. I needed some major light here, and fast.

Luckily for me, I was in a workshop, home to some of the most cost-effective light sources known to man. Two shop lights and a flood-lamp flashlight later, I’ve got my key lights set up and aimed towards the chair that Ned would be sitting in. My exposure now is about 8-10 seconds on Zone V, meaning I needed to underexpose that two stops to Zone III, but then compensate for my bellows draw and movements. Let’s say 4.5 seconds (I did :p). Down came Ned, got set up, and we took the above shot.

Not too shabby eh?

Something Good: For a long exposure, Ned’s looking pretty sharp, and nicely isolated from the surrounding workshop clutter.

Something Bad: The negative itself is a little thin, even for having soooooo much dynamic range. It could have handled another minute or two sloshing in the tray. Live and learn.

Something Learned: Give your subject no excuses to get out of the picture, aka having it all ready for them, and they’ll usually agree to the portrait. On the technical side of things, I learned having a wide SBR, subject brightness range, can be tricky when printing on silver papers; more on that sore subject in later weeks.

Next Week: The 8x10 hits the road on a two week end-of-fall vacation, who knows where it’ll end up!