The 52 Project, Week 29: 8x10 around New York

During my brief time in New York before and after my guest spot on the early November 2010 episode of the Film Photography Podcast, I had some free time to roam around some other cool places in New York and play around with the 8x10. The same as last time, these are all scans of quick and dirty contact prints on Oriental RC VC paper with very little correction in post. Click the scans for a better view plus exposure data.

The deep downtown area of Newburg, NY, quite run down, but in a very photogenic way!

This image definitely took some "cojones" to take. I was in a VERY bad neighborhood for quite some time scoping out and setting up this image. Thankfully, I'm still around to share the urban decay of Newberg, NY with everyone. P.S. If it looks like a meth house, smells like a meth house, and has gunfire like a meth house, chances are its a meth house. >__<

Moving on.

A very unusual view from a scenic outlook of the Hudson River and Poughkeepsie, NY. Just ignore that little "squiggly" in the corner :p

So just when I thought things couldn't have gotten any hairer as they had earlier that day in downtown Newburg, I got hassled not once, but twice by Poughkeepsie police about shooting with my 8x10. Apparently, having anything on a tripod that looks more menacing than a point and shoot is "against city ordinance". After explaining that I wasn't Ansel Adams or planning to score big bucks of the above image, they were a little more relaxed with my shooting; they still followed me back to my car, however. >__>

This image helped to kick off my love affair with long exposures on the 8x10. For all you sports shooters out there, you just won't get it.

No real drama with this exposure, unless of course you considering a long exposure in a heavy downpour and 45 degree weather to be a problem. For large format? Not so much. ^__^

Keeping it short and sweet, onto this week's lessons...

Something Good: Each 8x10 sheet metered very differently, but with a little Zone System came out with even density in the negative with consistent print times for the contact prints. Yay!

Somehting Bad: Hair and dust are the bane of my scanning existence, nuff said.

Something Learned: Big cameras attract lots of attention (duh), both good and bad. Know your equipment, but know your photographic environment as well. If things get sketchy, ask yourself if getting the shot is really worth that extra risk.

Next Week: The big 'ole sheets of Tmax 400 keep on coming. And even though there's not going to be any new emulsions or processes, I guarantee the subject matter will keep things fresh!

The 52 Project, Week 27: Winnie the Pooh & Katie Too!

The last of the series of Hasselblad images from my little two week excursion, this week features one aspect of film that I've really yet to embrace...grain. If you can't tell what I mean from the thumbnails, just click them to see a bigger size, it should then become much more apparent.

Tigger, Piglet, and Winnie the Pooh...kind

After hanging out in NYC with Mike and Duane from the Film Photography Podcast, I made my way out to Amherst, MA to visit a good friend of mine, Katie O'Neil. She's a jack of all trades: horse trainer, rider, pre-vet student, film photography enthusiast (you're welcome Katie), and even a licensed Zamboni driver. As of Feb. 2011, she's in Ireland interning with a horse stable having the time of her life;color me jealous. During my brief visit with her, I managed to stay over for a fun Halloween party at her hometown employer, Lonebirch Farms.

For Halloween, horse enthusiasts pull out all the stops. Not only do they dress up, but so do the horses. Katie herself dressed up as Piglet, with her dog Maggie as Winnie the Pooh, and her horse as Tigger. Its all cute and fun, until you get roped into painting a horse. >__<

A witch, her horse, and jack-in-the-box hubby.

Increasing grain = decreasing sharpness :(

Did I mention what my biggest pet peeve was?

A maiden/damsel and her trusty steed/unicorn.

Something Good: For ISO 3200 film shot at 3200, the shots are more than usable, with decent shadow detail and well controlled highlights. These even look good optically printed as 10x10's.

Something Bad: Ilford Delta 3200 isn't cheap, and at times is more expensive per format than even high speed color film. Also, it's available only in 35mm and 120, sorry older and large formats.

Something Learned: Diluted XTOL is the way to go for sharpness in very high speed shooting situations. Its ability to keep the grain patterns tight and shadow detail present are phenomenal! Be sure to check out the scans at full size to see for yourself.

Next Week: The large format side of this trip. To call these shots a fresh persepective is an understatement!

The 52 Project, Week 25: PDN PPE in NYC with the FPP!

Duane explaining the Hasselblad NPC Polaroid back.

The acronyms, make them stop! >__<

Seriously now, this first week of my little trip out east was pretty freaking awesome. There were a lot of photos taken, and whole hell of a lot to scan; most of which are still being scanned, by the way. So all the following weeks you’re about to see will be completely in order of awesome and in no sense of chronological order. Enjoy.

FPP Hosts Mike Raso & Duane Polcou

First up is the main reason I made this trip, to go meet the makers of the Film Photography Podcast at Photo Distric News’ Photo Plus Expo 2010 in New York City. (see why I used the acronyms? :P) Before, during, and after my interview with them, I managed to snag some shots of Mike Raso (left) and Duane Polcou (right) at the registration/interview booth outside of the madness of the PPE showroom. Overall, the interview went very well, Mike and Duane were awesome guys who were as, if not more, enthusiastic about film than me. While I was snagging pictures of them, Mike was snagging pictures of me and the whole kit, with a Kodak Pocket Instamatic 110 camera and some Impossible PX 600 black and white.

With FPP’s more recent interest in large format, I’ll have to pay them a visit and let them play around with the 8x10. Good times for sure. ^__^

Impossible Project Space, NYCLater that same afternoon, I made the huge mistake of walking almost four miles from the Jacob Javits Expo Center all the way to the Impossible Project NYC Space. Thankfully, the long haul was worth it! All the way up on the fourth floor of this building, rested one of the last frontiers for instant film in the world! If you haven’t heard of The Impossible Project or tried out their awesome films, be sure to check them out.

Something Good: The scans are pretty clean, with a long tonal scale and chock-full of midtones. TMAX 400 in XTOL 1:1 never seems to go wrong.

Btw, the Pat Sansone show was also awesome!Something Bad: The light in the Javits Center was a tad low for ISO 400, but opening up the aperture and lowering my shutter speed to dangerous handheld levels, 1/15 and 1/30th were necessary for the final image.

Something Learned: The best way to meet new people in photography is to get out there and shoot. And when you’re sick of shooting, go on the internet and put yourself out there some more. Chances are you’ll run into cool guys like the FPP; heck, you might even score some new gear or film!

Next Week: More medium format scans from the trip, still trying to nail down these 8x10’s. >__<