The 52 Project, Week 14: Old People in the Park

So the great photo catchup begins.

This project is starting to change me, I can feel it. Prior to the onset of this unforeseen commitment, I spent at least three hours on the computer daily. Now? I’m getting sunlight, exercise, and am even meeting new people. This project most assuredly will be the death of me. x__x

Anywho, this week whilst not being at the computer, I went to the park to stalk senior citizens. It’s nearly as fun as it is creepy.

As soon as I hit 50, shuffleboard's my game!

Scan 1: Waiting on Their Turn

Heading out to Riverside Park in Findlay, OH on a late summer afternoon, the last thing I expected to see was a group of senior citizens enjoying a lively game of shuffleboard. Before this day, I thought shuffleboard was limited to senior centers and discount cruises; the more you know...

The game was intense, but no smack-talk.

Scan 2: Still Waiting...

This game requires quite a lot of patience. It's kind of like corn-hole's great great great grandfather. They were even keeping score on a chalkboard. Very awesome.

She backsteps, she shoots...

Scan 3: The Deciding Shot!

About as much action as one would expect from this game, but it was still a lot of fun to watch (and set up cool shots).

At least some people can appreciate nature.

Scan 4: Subtle Stroll through the Park

After a rousing few matches, I followed one of the not previously pictured couples around the park for a shot with a little more "awww" appeal. Success?

Before we skip right to the week's analysis, a little about the film used this week. It was all good 'ole Tri-X 400. Nice silvery skin tones, a pleasant brightness curve, and classic film grain. Minus a slight bump to the blacks, these scans are fresh off the Epson V700. For future info about the scans, all you have to do is click the photo, and you'll instantly be taken to the shot's Flickr location, where you'll find another brief description, what film the shot was taken on, and what shutter speed and aperture was used to make the photo. If you should find yourself lost in Flickr and wish to make your way back here, each photo description contains a link back to its corresponding article.

Something Good: The senior citizens being photographed were good sports. When shooting more than one or two frames of an interesting subject, I’ll ask the subject. Luckily enough, they agreed, so long as I didn’t interrupt their game. Old folks take shuffle board about as seriously as most men do the Superbowl.

Something Bad: I only got there to capture the last two matches for the day. Also, I forgot to ask them when they were playing next. >__<
Something Learned: I need to learn when to and not to make use of back-lighting. I the above situation, the results were overall okay. Black and white negative film is at the top of the dynamic range scale, so long as your metering is spot on.

Next Week: A sucker-punch of color to the face! I try out the sorta-new Kodak Ektar 100. Believe the hype, and then some!

The 52 Project, Week 7: The Abandoned House

Closing in on the 2 month mark with The 52 Project, I still don't feel like I'm hunting around for things to shoot. If anything else, I'm growing more and more confident in finding a single subject to "spend" a roll of film on. This week's installment, the abandoned house, is something I've wanted to explore at a close distance for nearly 10 years.

Ever since moving to rural Deshler, OH in 2000, I've driven by this ominous looking house along State Route 235 nearly every day of my life. I'd always wondered what laid within, but not until I was driving by a few weeks ago did I consider just pulling over, going in, and making a shoot of it. And here it is. 

I like how the house has an "angry" face.

Scan 1: Angry House

I've never been much of a landscape guy, and in my photos, it has to show. The lines aren't quite there, nor are all the elements of the house. From a landscape point of view, it's not that hot a photo. But from a portrait photographer's point of view, the expression in this "portrait" is spot on.

And through the front door you can see...

Scan 2: Rooms Falling Apart

Like the caption states, as you walk through the front door, you're greeted with destruction. Three floors worth of neglected property are tumbling down around you. Certainly in its day, this was quite a house; right now though, I'm still pretty awestruck.

This doll is too creepy for words.

Scan 3: The Creepy Doll

While originally composing this shot, I was trying to focus on the unique forms displayed by the stripped stairs and falling ceiling. By the second frame, I was knocked back by the eerie little doll left at the foot of the stairs. Including the original idea with this terrifying toy was only natural.

Note to self, frame within a frame works.

Scan 4: Through Shattered Glass

You can see a bit of this image through Scan 2, but the framing conveys a completely different mood. Seeing as this whole roll was an experiment in "things I barely ever do", I thought "oh what the hell" and tried framing something within its own frame. The Hasselblad's ability to naturally vignette and soften the corners definitley helped.

 Something Good: I went outside the box this week, and in a few ways. I never usually trespass for the sake of photos, I never usually shoot landscapes, and I've never shot expired film. For the most part, it looks like going outside my comfort zone paid off.

Something Bad: The film was expired, and doesn't quite react like perfectly good film. Once a film has been sitting in your fridge for more than few years, there's no guarantee that the film will display its typical properties. The starting film was 160NC, and it largely acted as such, but there were a few exceptions. I typically overexpose by 1/3 stop just for good measure, but apparently a little overexposure in this expired stock from 2005/2006 just blows way, way out.

Something Learned: Intense care for your expired film is key. Looking a little more into my exposure problems, there are numerous precautions to take when shooting more "unstable" films. Live and learn; hopefully the latter, though, because I've got 29 more rolls of this stuff. x___x

Next Week: I just got back a batch of 5 rolls of film and have some major catching up to do. Not sure what it'll be from, but there's a good chance it'll be grainy film or expired film. No matter, they all look good.

The 52 Project, Week 4&5: Wedding Edition

Wow, it's already been a month and I'm still excited about film. Something must being going right for a gearhead like me to go analog for longer he typically plays a new video game. Just before we get to the meat and potatoes of this week's post, I'm going to change the structure a bit from previous weeks. Instead of just a few images, there will be about a roll's worth of them; this is because there were four rolls shot instead of the typical one or two. Thereby, top choices were harder to make, and besides, I just love shooting weddings*.

*couple getting married must be awesome like those you'll see below ^_^

Color Division

1) Katie's Gorgeous Dress

2) Just a touch of makeup

3) Moments before the wedding.

4) The cliche bouquet shot.

5) Meet Mr. & Mrs. Tomas Menec.

6) The Radl sisters, yes, Katie has a twin.

7) Baby with a Mohawk, nuff said.

8) We were all glad to see this cake go >__<

 The color shots were a little risky, IMO, because I'd never shot in the films used. To some it's not a big deal, but I like to know exactly how a film looks in a given situation. (See Week 1 and Week 2 of The 52 Project for examples of Portra 400VC vs 400NC) I even explained to this cool couple how I'd occasionally pop a film shot during downtime of digital (filled buffer, etc.). To my complete surprise, they were ok with it! Onto the mini-critique.

Shots 1-3 are shot in Fuji Pro 800Z and 4-8 are Pro 400H. I like the look of both, however, I noticed a lot of flaring issues with the 800 speed film in a lot of the getting ready shots. Compare the grain you see in shot 1 over shots 2 & 3. The main difference? Positioning from the window/main light.  This flare doesn't appear to be a lot, but that's about a 60 degree turn away from the window. Trust me, you don't want to see what the shot into the window exposures looked like. x__X And what about the 400H? Beautiful, accurate skin tones, little grain, and fantastic exposure latitude. I shall be working with 400H much more in the future.  My only gripe about shots 4-8 is that shot 4 shows the Aquiles Heel of the Hasselblad closeup filter; excessive, excessive vignetting. Sure it's not much, but it muddles Katie's skin tone in that shot; thank goodness the focus is the bouquet.

B&W Division

10) Copy & Paste the aforementioned.

9) Simple, elegant, and outdoors!

12) During the ceremony

11) Rings in a flower, who'da thought?

13) Dancing with Dad

 Not too much going on here that couldn't have been covered with the color film. Live and learn, I guess. Overall, the B&W came out great. I shot one roll Tmax 100 and one roll Tmax 400. They were hand-developed in D-76, and came out just as envisioned. The scanning, however, is a different story. I'm getting there, but there's still a long way to go with this Epson V700. Notable traits about Tmax 100 vs 400 were that 100 seemed to pull a much wider dynamic range while the 400 tended to yeild a very narrow band of midtones that needed to be "fluffed up" in Photoshop.

Something Good: I got paid to play around with my Hasselblad, and managed to score some real keepers for the album.

Something Bad: I took a HUGE risk in playing around with film during a wedding that was supposed to be delivered digitally (though permission was granted). Also that nasty flare thing with the 800Z.

Something Learned: Millers Professional Imaging, aka MPIX, aka the best print company EVER, are rediculously fast and good at what they do. They provided me with postage paid priority mailers to deliver film in. The package was mailed 7:30am, the Monday after the wedding. Once it got to them, rush processing with FedEx overnight, I received it on Wednesday afternoon at 2:00pm, processed, proofed, scanned, cut, and sleeved.  All this for ~$10 per roll. This was a very good thing considering Katie and Tomas were leaving for the Czech Republic the next day for ceremony number two and their honeymoon. If you're reading this and thinking about adding a touch of film to your next event, seriously consider Millers. No, I don't get a kickback from them everytime you check out their site, I'm just very impressed with the speed and quality of their work, coupled with top notch customer service.

Next Week: Slowing down back to the normal posting pace, but get ready for a LOT of the same film. I just scored a ton of recently expired 120 film that's basically carrying me through to the end of The 52 Project. Oh yeah, and 4th of July pics, whew!